Bellioss BeatsMusic producer & beatmaker
Rap · Trap · Drill · Lo-fiUrban · Orchestral · Soul & Jazz
Peaceand well.
Rap, trap, drill and lo-fi. Orchestral weight, jazz harmony and room for your voice.
Your next story sounds here.
Find the beat that fits you. Listen, pick your licence and start creating.
Delivery level. I'm not part of the loudness war. I give you what you need to do a good job: almost all my beats come with peaks around −6 dBFS, with headroom to mix your vocal. I won't sell you fake power that ends up impossible to mix. Why I do it
Services shaped around your project.
From the beat to the final mix. Every project starts with a conversation about what you want to say.
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Music visualizer
A looping visual piece to accompany your track on streaming platforms and social media.
Tell me the mood of the track and the look you're after. -
Cinematic composition
Original music for picture: short films, audiovisual pieces, trailers or narrative projects.
The quote depends on length, scope and how the music will be used.Custom quote -
Custom urban beat
A beat built from scratch for your voice and your idea: rap, trap, drill or lo-fi.
We start from your references and what you want to convey. -
Technical diagnosis
A critical listen of your mix or production, with concrete notes on how to improve it.
Clear notes on balance, dynamics, frequencies and space. -
Mastering
The final stage of your track: coherent tonal balance, dynamics and loudness for release.
Send your final mix in the best quality you have. -
Mixing
Balance, space and depth between vocals and instruments so your track can breathe.
The quote depends on the number of tracks and complexity.Custom quote
Prices in US dollars (USD), as charged on BeatStars, VAT not included. You can book each service on BeatStars, or use the form if you have questions.
Behind the sound.
I build beats like small scenes: space, tension, harmony and rhythm. My sound brings together the energy of rap and trap with the depth of orchestral music, jazz and soul.
Blog notes from the studio.
Notes on production, licences, mixing and mastering. The first posts are being reviewed before publication.
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The loudness war: why I deliver my beats at around −6 dBFS peak
Why my beats sound quieter on purpose: the loudness war, Spotify's −14 LUFS normalisation and the headroom you need to mix your vocal without crushing the beat.
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How to choose a beat licence: a guide for artists
Non-exclusive, exclusive, MP3, WAV, trackouts… What each term means, which questions to ask yourself before buying, and where to check the exact terms.
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The stereo field: stereo, mono and how to open a mix without breaking it
Stereo vs mono, panning, width and mid/side, phase cancellation and why kick, bass and 808 stay mono. How I use a wide stereo image without losing mono.
Let's talk about your next track.
Tell me what you have in mind: a beat, a mix, music for picture or a technical question.
Write to me directly
[email protected]Follow